Four lives in search of a meaning. It is time for each of them to find another goal. Nathan turns to martial arts after losing his best friend before his eyes, Daina works hard and thinks about creating her own business with her best friend, Quentin tries to find his place in college and to approach the boy he likes, Céline is lost in her work and her love life. Were they in the right way?

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一个男人和他最近在一片田野里结识的另一个男人一起在树林里漫步。

Six years after a violent car crash claimed her parents' lives, Jesse is still trying to put her life back together. The situation is complicated by the fact that her parents virtually vanished, as did the accident wreckage, so there's no evidence for the police and certainly no closure for her. Jesse meets her fears head-on when she and a group of filmmakers break into an abandoned mental institution, she immediately experiences a visceral deja-vu. The asylum seems somehow connected to her missing parents and furthermore, the building is far from deserted. The group discovers that a sinister doctor has taken up residence in the building's vast underground and he is using extreme science trying to bring his wife back from the dead! The basement also contains the countless remains of the doctor's failed experiments, all of which are now slowly coming back to life when they make contact with a murky substance that has begun to leak out of several holding tanks!

Lilou et Noah ont dix-huit ans. Il faut choisir un métier, un avenir. Face à cet impératif, ils se questionnent et s’arrangent comme ils peuvent, dans un temps suspendu où se dessine la vie qui les attend.

The misadventures of a young employee in Saint-Tropez.

Structured as a cinematic essay, "Un pays sans bon sens!" explores the emotional and political foundations of belonging to a nation. Moving between Quebec, France, and Western Canada, Pierre Perrault interrogates questions of cultural maturity, autonomy, and territory at a moment when French Canadians were reexamining their collective identity.

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This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.